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Star wars silver screen edition torrent6/16/2023 The Empire Strikes Back | Megalinks MegaDB The Empire Strikes Back Overall bitrate is 5380kb/s, ripped at RF22 on MediumĪudio is 2-channel AC3 224kb/s (they included 2 tracks, I don't know why but I left them in) the stats- | Megalinks MegaDB -the stats. And defending their work because the internet can't have nice things. The Team Negative 1 reddit account is still active and posting. Sadly they disbanded before finishing the project, and as far as I know it is no longer being worked TN1 intended to clean it up in order to release a “Sanitized” edition, a bit like their Silver The “Renegade Grindhouse” version of ESB (sometimes called “Grindhouse version 1”) refers to Team Negative 1’s original 35mm This rip is from the 21GB blu-ray iso torrent. Team Negtive 1's second release was The Empire Strikes Back. Out colour-wise than any official Blu-ray release would likely be. See what audiences would have seen in 1977, which means something a little softer, a little grainier, and even a little more washed Team Negative1 has made an effort to preserve to look inherent to a theatrical print from the late-’70s. Instead of making Star Wars look better than it ever has, Getting the movie to look like an “official” release isn’t the goal. This rip is my recode of the 10GB x264 8-bit torrent, which is version 1.6. They scanned the film in 4k using their own improvised rig and then did a manual, frame-by-frame clean-up of the movie. The film reels were supposed to be destroyed after a movie stopped showing so it was an extraordinary find. The first Team Negative 1 project was Star Wars (Episode IV) using original 35mm theatrical reels that were purchased on eBay. The linked Mega folder includes both films, a complete soundtrack for each film and an epub of The Star Wars Trilogy collection NUKED BY DMCA - LINK DEAD | Megalinks MegaDB NUKED BY DMCA - LINK DEAD "Have faith more to come.Himechi | 202 points | 02:15:57 Star Wars & The Empire Strikes Back (original theatrical releases) 1080p AC3 x265 12bit hMCi plus OSTs and novelizations | Megalinks MegaDB Star Wars & The Empire Strikes Back (original theatrical releases) 1080p AC3 x265 12bit hMCi plus OSTs and novelizations "I think the more vocal people are about supporting these projects, the better," Verta said. (This comparison video from Verta sums up his issues pretty clearly.) He's so passionate about the issue, that Verta told Movie Mezzanine that he is scheduling a meeting with Disney and 20th Century Fox executives to screen the film and pitch them on the potential of a true restoration. Another unreleased restoration project, by composer Mike Verta, is said to be highest quality version yet, and a significant improvement to the oversaturated colors of the Blu-ray release. With Disney having purchased Lucasfilm, however, fans are hoping for that to change. George Lucas famously vowed that the original cuts would never be released, and that a true restoration would be impossible due to the changes made to the original elements for the Special Edition releases. The noise is getting louder from fans to see the original films as they were first released, not only as a historical artifact, but because that's the way people first fell in love with them. ![]() (It's the same reason why when you watch digital restorations of old movies certain wipes, transitions, or special effects suddenly leap out as grainier than the rest of the restored footage producing those effects back in the day required compositing images on film, baking in added grain.) But the result is Star Wars as it was when it set the world on fire nearly 40 years ago: Han shoots first, Jabba doesn't show up, and there's not a scrap of intrusive computer-generated imagery to be seen. But given that this was an analog, photochemical procedure, each generation away from that original negative introduced softness and grain into the image, making the source material for this new version softer than the negatives used for official releases. Instead, an intermediary print called an internegative - essentially, a duplicate of the final, color-corrected negative - would be used to strike the release prints that ended up in theaters. That's largely due to the elements used back in the days of film releases, prints wouldn't be struck from the original conformed negative due to the high probability of damage. To combat that damage, the scanned elements underwent digital restoration to stabilize the images, color-correct them, and remove damage and dirt - and while the end result is impressive, it's not going to be what you're used to from a modern Blu-ray release.
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